Zbyněk Baladrán

zbyněk baladrán ^cv

cz

sclerosis multiplex (i)
commodity catalogue (v)
marketplace of art (i)
des fissures dans l’archive (e)
the signatures of certain things (v)
nekrologie / carthography of the invisible (e)
spectral museum (e)
great privatization: psyche 16 (i)
manuš means human (averklub collective) / social murder (e) (v)
in praise of dialectics (v)
bone setting (i)
questions of control (i)
orientational atlas of exomoons (i)
jevons paradox (i)
one step forward, two steps back (v)
apparatus as a goal of history (v)
catastrophe (v)
the continuity of imagination in retail business and the art of making collages (i)
the beginning of something yet to be determined / things fall apart / interim report (e)
history is possible (i)
unrelated images from the history of a juridical person (t)
powerless source of all power / difficulties to describe the truth / peer-to-peer protocol (v) (e)
critical reader / discourse / ambiguous utopia (t)
mode of production / feuerbach / algorythm (i)
from theological jokes / geographie des soziallen unbewussten (i) (e)
to be framed (v)
biafra of spirit (e)
contingent propositions (i)
subversive tactics / the experience of bucket riders (t)
story of raped sentence in several pictures (i)
automated subject (i)
approximation of infinite sequences (v)
work of eye (v)
diderot’s dream (v)
dead reckoning (e) (v)
measures taken / map fire word end (e)
excercises 1-8 (t) (i)
microscope and telescope of time (v)
minus ten anarcho-communist minutes (v) (i)
liberation, or alternatively (v)
preliminary report / case study (v)
all for no reason I. II. / why would you live if you knew what was going to happen tomorrow? (v)
without any assumptions (e)
nervous system (t) (e)
when in 1735, John Wyatt brought out his spinning machine, and began the industrial revolution of the 18th century, not a word did he say about an ass driving it instead of a man, and yet this part fell to the ass (i)
models of the universe (v)
night of the world (v)
methodology for writing III. (v) (t)
methodology for writing II. (t)
methodology for writing I. (t) (v)
letter from nowhere (v)
what i don’t see (e) (v)
40 000 000 (v)
cognitive maps / assemblages against essences (e) (v)
clipping as a practice of thinking (t)
discourse (i)
atoms in motion (t)
atlas of transformation (t)
building archive / accidental archivist (v)
five difficulties in writing the truth (v)
theory of work / randez-vous nowhere (v) (e)
it always makes her sick whenever she thinks of the infinite (i)
table / willy najvar archive (i)
glossary (t)
glossary / crunch time (e)
rewriting protest slogans (i)
structures of influence / body and its parts (t)
socio-fiction (v)
157,74m2, the optimal flat size in the KOLDOM / model of constructivist tower 1:50 / modern times (v)
moment / instruments of uncertainty (v) (e)
tent / pyramid / container (v)
act of repeating / 1,2,4,16, … (v)
working process (v)
ruins, archaeology and the gap between images (t)

sclerosis multiplex (i)
commodity catalogue (v)
marketplace of art (i)
des fissures dans l’archive (e)
the signatures of certain things (v)
nekrologie / carthography of the invisible (e)
spectral museum (e)
great privatization: psyche 16 (i)
manuš means human (averklub collective) / social murder (e) (v)
in praise of dialectics (v)
bone setting (i)
questions of control (i)
orientational atlas of exomoons (i)
jevons paradox (i)
one step forward, two steps back (v)
apparatus as a goal of history (v)
catastrophe (v)
the continuity of imagination in retail business and the art of making collages (i)
the beginning of something yet to be determined / things fall apart / interim report (e)
history is possible (i)
unrelated images from the history of a juridical person (t)
powerless source of all power / difficulties to describe the truth / peer-to-peer protocol (v) (e)
critical reader / discourse / ambiguous utopia (t)
mode of production / feuerbach / algorythm (i)
from theological jokes / geographie des soziallen unbewussten (i) (e)
to be framed (v)
biafra of spirit (e)
contingent propositions (i)
subversive tactics / the experience of bucket riders (t)
story of raped sentence in several pictures (i)
automated subject (i)
approximation of infinite sequences (v)
work of eye (v)
diderot’s dream (v)
dead reckoning (e) (v)
measures taken / map fire word end (e)
excercises 1-8 (t) (i)
microscope and telescope of time (v)
minus ten anarcho-communist minutes (v) (i)
liberation, or alternatively (v)
preliminary report / case study (v)
all for no reason I. II. / why would you live if you knew what was going to happen tomorrow? (v)
without any assumptions (e)
nervous system (t) (e)
when in 1735, John Wyatt brought out his spinning machine, and began the industrial revolution of the 18th century, not a word did he say about an ass driving it instead of a man, and yet this part fell to the ass (i)
models of the universe (v)
night of the world (v)
methodology for writing III. (v) (t)
methodology for writing II. (t)
methodology for writing I. (t) (v)
letter from nowhere (v)
what i don’t see (e) (v)
40 000 000 (v)
cognitive maps / assemblages against essences (e) (v)
clipping as a practice of thinking (t)
discourse (i)
atoms in motion (t)
atlas of transformation (t)
building archive / accidental archivist (v)
five difficulties in writing the truth (v)
theory of work / randez-vous nowhere (v) (e)
it always makes her sick whenever she thinks of the infinite (i)
table / willy najvar archive (i)
glossary (t)
glossary / crunch time (e)
rewriting protest slogans (i)
structures of influence / body and its parts (t)
socio-fiction (v)
157,74m2, the optimal flat size in the KOLDOM / model of constructivist tower 1:50 / modern times (v)
moment / instruments of uncertainty (v) (e)
tent / pyramid / container (v)
act of repeating / 1,2,4,16, … (v)
working process (v)
ruins, archaeology and the gap between images (t)

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